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'In a soft, searing voice, Adichie examines the complexities of family, faith and country through the haunted but hopeful eyes of a young girl on the cusp of womanhood. Lush, cadenced and often disconcerting, this is an accomplished first effort.' - Publishers Weekly.
'This is a harsh story, almost unbearable at first, but beautifully written.' - School Library Journal, recommended for adults & high school.
'This impressive first novel is redolent in its depiction of the Nigerian countryside and generates a palpable narrative tension over what's to become of Kambili and Jaja's newfound sense of freedom.' - Booklist.
'Quiet, chilling, and heart wrenching, this debut novel is both a superb portrait of an unfamiliar culture and an unflinching depiction of the universal turmoil of adolescence.' - Voya, recommended for young adults and up.
'The stunning denouement underscores the power of family love. Written with great sensitivity, this debut shows why Adichie has already won several awards.' - Library Journal.
'Like many first-novelists, Adichie tries for too much; her portrayal of Kambili's home life is striking but provides far too incomplete a depiction of Papa. Her portrait of Nigeria is fascinating but fragmented. Auntie Ifeoma and the cousins are likable enough but not memorable. Nonetheless, with Kambili the author has created a compelling narrative-and a surprising punch at end.' - Kirkus.
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We ate quickly because of the heat, because even the soup tasted like sweat. Afterward, we trooped to the neighbors' flat on the topmost floor and stood on their verandah, to see if we could catch a breeze. Amaka and I stood by the railings, looking
down. Obiora and Chima squatted to watch the children playing on the floor, clustered around the plastic Ludo board and rolling dice. Somebody poured a bucket of water on the verandah and the boys lay down, with their backs on the wet floor.
I looked out at Marguerite Cartwright Avenue below, at a red Volkswagen driving past. It revved loudly as it went over the speed bump, and even from the verandah, I could see where the color had faded to a rusty orange. I felt nostalgic as I watched the Volkswagen disappear down the street, and I was not sure why. Maybe it was because it revved like Aunty Ifeoma's car sometimes did, and it reminded me that very soon, I would not see her or her car anymore. She had gone to the police station to get a statement, which she would take to her visa interview at the American embassy to prove that she had never been convicted of a crime. Jaja had gone with her.
“I suppose we won't need to protect our doors with metal in America,” Amaka said, as if she knew what I was thinking about. She was fanning herself briskly with a folded newspaper.
“What?”
“Mom's students broke into her office once and stole exam questions. She told the works department that she wanted metal bars on her office doors and windows, and they said there was no money. You know what she did?”
Amaka turned to look at me; a small smile at the edges of her lips. I shook my head.
“She went to a construction site, and they gave her metal rods for free. Then she asked Obiora and me to help her install them. We drilled holes and fit the rods in with cement, across her windows and doors.”
“Oh,” I said. I wanted to reach out and touch Amaka.
“And then she put up a sign at her door that said
EXAM QUESTIONS ARE IN THE BANK
.” Amaka smiled and then started to fold and refold the newspaper. “I won't be happy in America. It won't be the same.”
“You will drink fresh milk from a bottle. No more stunted tins of condensed milk, no more homemade soybean milk,” I said.
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Amaka laughed, a hearty laugh that showed her gap. “You're funny.”
I had never heard that before. I saved it for later, to ruminate over and over that I had made her laugh, that I could make her laugh.
The rains came then, pouring down in strong sheets that made it impossible to see the garages across the yard. The sky and rain and ground merged into one silver-colored film that seemed to go on and on. We dashed back to the flat and placed buckets on the verandah to catch the rainwater and watched them fill rapidly. All the children ran out to the yard in their shorts, twirling and dancing, because this was clean rain, the kind that did not come with dust, that did not leave brown stains on clothes. It stopped as quickly as it had started, and the sun came out again, mildly, as if yawning after a nap. The buckets were full; we fished out floating leaves and twigs and took the buckets in.
I saw Father Amadi's car turning into the compound when we went back out to the verandah. Obiora saw it, too, and asked, laughing, “Is it me or does Father visit more often whenever Kambili is here?”
He and Amaka were still laughing when Father Amadi came up the short flight of stairs. “I know Amaka just said something
about me,” he said, sweeping Chima into his arms. He stood backing the setting sun. The sun was red, as if it were blushing, and it made his skin look radiant.
I watched how Chima clung to him, how Amaka's and Obiora's eyes shone as they looked up at him. Amaka was asking him about his missionary work in Germany, but I did not hear much of what she said. I was not listening. I felt so many things churning inside me, emotions that made my stomach growl and swirl.
“Do you see Kambili bothering me like this?” Father Amadi asked Amaka. He was looking at me, and I knew he had said that to include me, to get my attention.
“The white missionaries brought us their god,” Amaka was saying. “Which was the same color as them, worshiped in their language and packaged in the boxes they made. Now that we take their god back to them, shouldn't we at least repackage it?”
Father Amadi smirked and said, “We go mostly to Europe and America, where they are losing priests. So there is really no indigenous culture to pacify, unfortunately.”
“Father, be serious!” Amaka was laughing.
“Only if you will try to be more like Kambili and not bother me so much.”
The phone started to ring, and Amaka made a face at him before walking into the flat.
Father Amadi sat down next to me. “You look worried,” he said. Before I could think of what to say, he reached out and slapped my lower leg. He opened his palm to show me the bloody, squashed mosquito. He had cupped his palm so that it would not hurt too much and yet would kill the mosquito. “It looked so happy feeding on you,” he said, watching me.
“Thank you,” I said.
He reached out and wiped the spot on my leg with a finger. His finger felt warm and alive. I did not realize that my cousins had left; now the verandah was so silent I could hear the sound of the raindrops sliding off the leaves.
“So tell me what you're thinking about,” he said.
“It doesn't matter.”
“What you think will always matter to me, Kambili.”
I stood up and walked to the garden. I plucked off yellow allamanda flowers, still wet, and slid them over my fingers, as I had seen Chima do. It was like wearing a scented glove. “I was thinking about my father. I don't know what will happen when we go back.”
“Has he called?”
“Yes. Jaja refused to go to the phone, and I did not go, either.”
“Did you want to?” He asked gently. It was not what I expected him to ask.
“Yes,” I whispered, so Jaja wouldn't hear, although he was not even in the area. I did want to talk to Papa, to hear his voice, to tell him what I had eaten and what I had prayed about so that he would approve, so that he would smile so much his eyes would crinkle at the edges. And yet, I did not want to talk to him; I wanted to leave with Father Amadi, or with Aunty Ifeoma, and never come back. “School starts in two weeks, and Aunty Ifeoma might be gone then,” I said. “I don't know what we will do. Jaja does not talk about tomorrow or next week.”
Father Amadi walked over to me, standing so close that I if I puffed out my belly, it would touch his body. He took my
hand in his, carefully slid one flower off my finger and slid it onto his. “Your aunt thinks you and Jaja should go to boarding school. I am going to Enugu next week to talk to Father Benedict; I know your father listens to him. I will ask him to convince your father about boarding school so you and Jaja can start next term. It will be fine,
inugo
?”
I nodded and looked away. I believed him, that it would be fine, because he said so. I thought then of catechism classes, about chanting the answer to a question, an answer that was “because he has said it and his word is true.” I could not remember the question.
“Look at me, Kambili.”
I was afraid to look into the warm brownness of his eyes, I was afraid I would swoon, that I would throw my hands around him and lace my fingers together behind his neck and refuse to let go. I turned.
“Is this the flower you can suck? The one with the sweet juices?” he asked. He had slid the allamanda off his finger and was examining its yellow petals.
I smiled. “No. It's ixora you suck.”
He threw the flower away and made a wry face. “Oh.”
I laughed. I laughed because the allamanda flowers were so yellow. I laughed imagining how bitter their white juices would taste if Father Amadi had really sucked them. I laughed because Father Amadi's eyes were so brown I could see my reflection in them.
THAT NIGHT WHEN I BATHED
, with a bucket half full of rainwater, I did not scrub my left hand, the hand that Father Amadi had held gently to slide the flower off my finger.
I did not heat the water, either, because I was afraid that the heating coil would make the rainwater lose the scent of the sky. I sang as I bathed. There were more earthworms in the bathtub, and I left them alone, watching the water carry them arid send them down the drain.
The breeze following the rain was so cool that I wore a sweater and Aunty Ifeoma wore a longsleeved shirt, although she usually walked around the house in only a wrapper. We were all sitting on the verandah, talking, when Father Amadi's car nosed its way to the front of the flat.
“You said you would be very busy today, Father,” Obiora said.
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“I say these things to justify being fed by the church,” Father Amadi said. He looked tired. He handed Amaka a piece of paper and told her he had written some suitably boring names on it, that she had only to choose one and he would leave. After the bishop used it in confirming her, she need never even mention the name again. Father Amadi rolled his eyes, speaking with a painstaking slowness, and although Amaka laughed, she did not take the paper.
“I told you I am not taking an English name, Father,” she said.
“And have I asked you why?”
“Why do I have to?”
“Because it is the way it's done. Let's forget if it's right or wrong for now,” Father Amadi said, and I noticed the shadows under his eyes.
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“When the missionaries first came, they didn't think Igbo names were good enough. They insisted that people take English names to be baptized. Shouldn't we be moving ahead?”
“It's different now, Amaka, don't make this what it's not,” Father Amadi said, calmly. “Nobody has to use the name. Look at me. I've always used my Igbo name, but I was baptized Michael and confirmed Victor.”
Aunty Ifeoma looked up from the forms she was going through. “Amaka,
ngwa
, pick a name and let Father Amadi go and do his work.”
“But what's the point, then?” Amaka said to Father Amadi, as if she had not heard her mother. “What the church is saying is that only an English name will make your confirmation valid. âChiamaka' says God is beautiful. âChima' says God knows best, âChiebuka' says God is the greatest. Don't they all glorify God as much as âPaul' and âPeter' and âSimon'?”
Aunty Ifeoma was getting annoyed; I knew by her raised voice, by her snappy tone. “
O gini
! You don't have to prove a senseless point here! Just do it and get confirmed, nobody says you have to use the name!”
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But Amaka refused. “
Ekwerom
,” she said to Aunty IfeomaâI do not agree. Then she walked into her room and turned her music on very loud until Aunty Ifeoma knocked on the door and shouted that Amaka was asking for a slap if she did not turn it down right away. Amaka turned the music
down. Father Amadi left, with a bemused sort of smile on his face.
That evening, tempers cooled and we had dinner together, but there was not much laughter. And the next day, Easter Sunday, Amaka did not join the rest of the young people who wore all white and carried lit candles, with folded newspapers to trap the melting wax. They all had pieces of paper pinned to their clothes, with names written on them. Paul. Mary. James. Veronica. Some of the girls looked like brides, and I remembered my own confirmation, how Papa had said I was a bride, Christ's bride, and I had been surprised because I thought the Church was Christ's bride.
AUNTY IFEOMA WANTED
to go on pilgrimage to Aokpe. She was not sure why she suddenly wanted to go, she told us, probably the thought that she might be gone for a long time. Amaka and I said we would go with her. But Jaja said he would not go, then was stonily silent as if he dared anyone to ask him why. Obiora said he would stay back, too, with Chima. Aunty Ifeoma did not seem to mind. She smiled and said that since we didn't have a male, she would ask Father Amadi if he wanted to accompany us.
“I will turn into a bat if Father Amadi says yes,” Amaka said.
But he did say yes. When Aunty Ifeoma hung up the phone after talking to him and said he would be coming with us, Amaka said, “It's because of Kambili. He would never have come if not for Kambili.”
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Aunty Ifeoma drove us to the dusty village about two hours away. I sat in the back with Father Amadi, separated from him by the space in the middle. He and Amaka sang as we drove;
the undulating road made the car sway from side to side, and I imagined that it was dancing. Sometimes I joined in the singing, and other times I remained quiet and listened, wondering what it would feel like if I moved closer, if I covered the space between us and rested my head on his shoulder.
When we finally turned into the dirt road with the handpainted sign that read
WELCOME TO AOKPE APPARITION GROUND
, all I saw at first was chaos. Hundreds of cars, many bearing scrawled signs that read CATHOLICS ON PILGRIMAGE, jostled to fit into a tiny village that Aunty Ifeoma said had not known as many as ten cars until a local girl started to see the vision of the Beautiful Woman. People were packed so close that the smell of other people became as familiar as their own. Women crashed to their knees. Men shouted prayers. Rosaries rustled. People pointed and shouted, “See, there, on the tree, that's Our Lady!” Others pointed at the glowing sun. “There she is!”